◄|
|►
Loading... (0:00)
To our faithful listeners,

We've decided to formally shutdown thesixtyone.com -- our servers will go offline at midnight, May 1st 2017.

Artist tipping and music purchases will be functional until then, so please spend any remaining credits by month's end. 
A final payment will be made to artists following the shutdown.

thesixtyone was our baby for most of our twenties. We're incredibly sorry we weren't able to keep things going in the 
right direction.

2007-2017

Thank you for being a part of it.

Farewell,

James Miao & Samuel Hsiung

Sheep on Drugs

(awaiting update)     0 listeners
biography
Formed in response to the so-called ‘Second Summer Of Love’ by Duncan X and Lee Fraser, the splendidly named Sheep On Drugs set out to simultaneously mock and revel in the excesses of pop culture. Blending a mixture of sleazy rock, hard techno and punk nihilism into their own peculiar cabaret act of a rock’n’roll band, they set out on tour with buckets of blood, syringes and a pulpit from which Duncan could rant at Punter (as they termed the audience), who lapped it up with a knowing postmodern acceptance of their own commodification.
SOD (as they are appropriately referred to) released their first single, ‘Catch 22/Drug Music’, in 1991. Two sides of sardonic observation of the world of work and the rave scene respectively established them as favourites on the electronic body music/industrial scene.

Keeping up an unhealthy live schedule, Sheep On Drugs perfected a live show which extended to Grand Guignol theatrics : bloody dummies suspended over the stage, blank rounds fired above the audience, and the ever-scathing Duncan acting out the dark side of club culture. ‘Motorbike/Mary Jane’(1992) took the slea... (+) expand
No songs were found.
0/500 characters used.
No comments have been posted yet.
downloading