They were waiting for meeting each other, although they didn’t know it. On the one side, gahs, José Óscar Carregui (before Eve, Mut), and his progressive instrumentation, from the guitar to the piano, from the rock to the electronics, and from the distortion to the cleanliness. On the other side, Rocío Gayoso, Rocio, and her voice of multiple textures, vulnerable and defiant, caress and tears. Together, gahs&Rocio;, a succession of moving images, of melodies that hide in a non-prejudiced tangle of influences, participants of the global and daily confusion and uncertainty.

E.Ballester

http://www.myspace.com/gahsrocio