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To our faithful listeners,

We've decided to formally shutdown thesixtyone.com -- our servers will go offline at midnight, May 1st 2017.

Artist tipping and music purchases will be functional until then, so please spend any remaining credits by month's end. 
A final payment will be made to artists following the shutdown.

thesixtyone was our baby for most of our twenties. We're incredibly sorry we weren't able to keep things going in the 
right direction.

2007-2017

Thank you for being a part of it.

Farewell,

James Miao & Samuel Hsiung

The Shaky Hands

dance and rock     38 listeners
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biography
‘The Shaky Hands’ feels like a classic debut, almost as though it’s following an invisible lineage of great US debuts (from The Feelies “Crazy Rhythms through R.E.M’s “Murmur” to Neutral Milk Hotel’s “On Avery Island”) and, like these bands, they come fully-formed and with a singular voice, in the case of The Shaky Hands this voice belongs to main songwriter Nick Delffs. As it floats restlessly through the scales, one minute wide-eyed and soulful, the next with a flat, resignation it’s the type of charismatic, identifiable voice that doesn’t always need to hit the right note to strike a chord in the listener. All of which wouldn’t count for much if the songs weren’t so damn good.
And they are, from metronomic opener, ‘Whales Sing’ and its winning approximation of Otis Redding’s ‘I Can’t turn You Loose’ right through to the handclaps and good vibes of closer ‘Summer Life’. Single, The Sleepless with its staccato verses and effervescent chorus could be a long lost classic Britpop single, whilst Why and How Come, with its Byrds-like arpeggio guitars and flailing drums will, for those with a long enough memory, bring recollections of great lost 80’... (+) expand
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