Niggy Tardust is tough to critique because of the albums full capabilities as a body of work. A fan of Saul from the early ought years, I appreciate his writings (:said the shotgun to the head), his on camera work (SLAM), and of course, his music. However, aside from this cover, the rest of Niggy Tardust must be listened to as a whole work to truly be appreciated. Not my favourite individual works by Williams by any means, but the most incredible entire album of any artist.
I've been a huge fan of Saul since his complimation with Trent Reanor and was delighted when this gem graced my audio receptors while surfing TheSixtyOne.
SUNDAY BLOODY SUNDAY