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To our faithful listeners,

We've decided to formally shutdown thesixtyone.com -- our servers will go offline at midnight, May 1st 2017.

Artist tipping and music purchases will be functional until then, so please spend any remaining credits by month's end. 
A final payment will be made to artists following the shutdown.

thesixtyone was our baby for most of our twenties. We're incredibly sorry we weren't able to keep things going in the 
right direction.


Thank you for being a part of it.


James Miao & Samuel Hsiung

The Lights Out

rock     392 listeners
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Happy New Year, TLO fans! Here’s to good times and improvement moving into the second decade of the millennium (ok, technically that doesn’t start for another year, but still).

As we looked back and tried to sum up the last year, it really became apparent in hindsight that we’ve been pretty busy guys. We dug our early morning faces deep into the pillows on the Ritchies’ couches more than once, as we spent a lot of time further down the seaboard, in Asbury Park for the Wave Gathering Festival and at the Dewey Beach Music Conference. We planted our feet in New York, playing both MEANY Fest and CMJ. We made it to the semifinals of the WBCN (rip) Rock ‘n Roll Rumble, laying waste and smiting about us! We played 38 shows. We released a record! Color Machine came out in September, and we are delighted with it. We opened up the season for the New England Patriots. We cut a deal with MTV Networks and placed a song in an Absolut Vodka ad. We loosened up a bit with a Slush Puppie Flashmob and a surprise Halloween show as Phil Collins’s’s’s’s’s’s. We’ve gotten to play with some truly excellent, totally ready-for-primetime bands in a lot of different cities. We even found time to record a few other songs, a little something for 2010. We made friends. 2009 was in short, the best year TLO has had yet, and we thank you for making it happen with us!

This year, look for more of us out on the high seas of the open road, to mix two metaphors. Starting tonight in fact, when we take the stage at Nectar’s in Burlington, Vermont. Sort of a homecoming for some of Burlington’s prodigal sons, of which our own Matt King is one. Check out what he had to say this week to the Burlington Free Press, Seven Days and his hometown Herald. Also playing are our good friends and great musicians The Luxury and the ever-revelatory Township. This show is like a thirteen car pile up, you can’t look away! Except that instead of accident victims, everybody is playing guitars and making rock faces.

We’re looking forward to a year of face-melting solos living side-by-side with sweet vocal stacks and turn-on-a-dime chord changes, starting tonight and continuing on next week in Boston at the Middle East, then it’s back to New York City for shows at the Crash Mansion and The Bitter End. Mercy! We’ll keep you posted, so don’t be shy and don’t be strangers. We’re looking forward to some transcendental rock moments in 2010, and the best of those moments are always shared. See you out there!

posted 7 years ago
Get a copy of our NEW ALBUM "Color Machine" on ITunes! CLICK HERE!
posted 7 years ago

The CMJ (College Music Journal) Music Marathon in New York City is one of the two biggies in the country, along with South by Southwest in Austin.  So it was really gratifying to learn, upon my return from a morning walk on Dewey Beach in Delaware, that we had been selected to play it!  Just when you thought a weekend couldn’t get any better, right?  We had just blazed through our set, impressed a bunch of hard-to-impress bands and grizzled industry types, partied the night away and watched a band get evicted from our hotel for jumping off the third floor balcony into the pool.  That was pretty much every item on our to-do list for our trip down, plus one bonus item (and take a guess which item that was).  It was the next day, the guys were sawing logs still, and I was out enjoying the morning, a rare time of day for a musician.  But I like me the solitude sometimes, so early in the day is an easy place to carve out a couple of hours by myself.

Cut to two weeks later.   Adam is already down in New York, hard at work on band and other business, which leaves Matt, Jesse and I to get the gear there in time for Jim McTurnan and the Kids That Killed the Man. set as well as our Boston buddies St. Helena.  I guess we were providing the backline, which is always cool with us for two reasons: 1) we get to hear our gear as audience members and check out what it sounds like from the other side, and 2) no set up before we play, it’s already done!  What more could I add to the myth of New York City that hasn’t been said a million times before?  Not much, and from the three of us who went down that Tuesday in the van it was an archetypal whirlwind tour, so we didn’t see much beyond the Alphabet Lounge and the inside of the van.  They have bike lanes down there now, that’s pretty cool.  Nice job, Mr. Bloomberg!

The Alphabet Lounge is on the lower east side of  Manhattan, appropriately enough in Alphabet City (Avenue A, Avenue B, etc.) and is a cozy room for about seventy five people, tops.  There is an exposed brick wall to the right as you walk in, and the stage is behind a railing, which they kindly removed for the night so everyone could see the bands from more than just the waist up, Ed Sullivan style.  We had to make do with only three mics, which meant that Adam was constantly running over to Matt or me to pitch in on background vox, which made for kind of a cool visual actually.  Very arena rock.  We saw our good friend Jen Kellas of The Music Slut in the crowd, valiantly staying awake after hosting her annual blowout at Piano’s.  She’s a rock trooper.  And we always love to see our friends from Eat Sleep Breathe Music — this time it was Sister Jeanette and her friend, Lauren. Music consultant and former rock star and A&R guy Rick Goetz (whom we also met at Dewey) took time to come see us, as did legendary music writer, John Swenson.  Then you throw in the other two bands that played before us, and we’re talking a decent little crowd making the room feel warm for us.  Well, I think we delivered in spades that night.  It was such a whirlwind to get there, then a whirlwind to load in and find parking, why not play like Tasmanian devils also and make it a hat trick?  So we did.  I think one of the single biggest mistakes bands ever make live (and we’ve made it too, but we learned not to do that anymore) is going up there without the right energy.  I don’t mean be a manic freak and swing from the chandeliers necessarily (although you wouldn’t lose if you did), but to bring the requisite energy to bear for whatever your sound is.  In our case, most of the tunes rock hard, fast and sweet, so we point at you while singing and make guitar faces and spin around and jump in the air and throw our hair around.  Mostly because we like to, it just feels natural that way.  I recommend it.  But not on while you’re on the Green Line commuting to your day gig.

And then it was over.  Adam had plenty of work to do still for the week, so we dropped him at his hotel on 35th Street, high fived each other on a show well executed, choked down some sort of awful tasting lemon lime five hour energy shots to keep alert and drove home.  By the time load in at our jam space was completed, I think it was around four thirty.  We made it home before the sun found us, but not by much.  Thanks, CMJ!  I wish we could have stayed to check out more of it, but day jobs beckoned.  For now, we’ll be satisfied knowing we were a small part of it.  For now…

posted 7 years ago
Become a fan of The Lights Out on Facebook: http://www.facebook.com/thelightsout
posted 7 years ago
To get your hands on some music from The Lights Out:

Order a CD copy of ¡HEIST! Here!

Download ¡HEIST! on itunes Here!

posted 7 years ago
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“We should start a BAAAND!”

With those prophetic words, slurred after a late-night Boston bar crawl in 2005, THE LIGHTS OUT was born. Nobody remembers who said it. They’d never even played a note together. (Sometimes you just know it.)

With influences as clashing as Queens of the Stone Age, Kiss, Bloc Party and Foreigner, the quartet chisels out an entirely new brand of breakneck, anthemic pop-rock, with a barrel of catchy choruses and melodies stickier than the High Life coating their sneakers by the end of every practice.

Taking a spoonful from the time-honored rock food groups of women, betrayal and bad habits, THE LIGHTS OUT expands the menu with songs offering glimpses into the lives of bounty hunters, and stubborn courage in the face of erupting volcanoes.

Despite the great pride the band takes in being impulsive, THE LIGHTS OUT maintain an intense work ethic, recording and critiquing every gig like a boozed-up college football team. Their goal is to ensure everyone has a damn good time by making every performance better than the last. With their growing reputation for dynamic live shows and the nods they’ve been receiving from fans and press, they’re clearly onto some... (+) expand
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bcglaxer (level 19) wrote:
7 years ago
michelleyeah (level 31) wrote:
Great songs, guys!! Will be back with more hearts <3
7 years ago
zenfira (level 38) wrote:
Great new stuff!
7 years ago
88 (level 31) wrote:
I choose time.
7 years ago
ma3lstrom13 (level 14) wrote:
awesome new song. great stuff uve got.
8 years ago
kalli2B (level 41) wrote:
'Never Going Back' is awesome guys! Keep up the great work, you've got a new fan here. :)
8 years ago
skaryrose (level 10) wrote:
I Llloooooooooovvveee Pink and Purple-- keep it up guys.
8 years ago
creativeoutlaw (level 10) wrote:
Hey... I know these guys and they ROCK!
9 years ago